Two consulting detectives are brought in to investigate a peculiar crime scene

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《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们以说唱为武器展开战略生存竞争更加火热激烈的博弈……

Public Eye is a British television series that ran from 1965 to 1975. It was produced by ABC Television for three series, and Thames Television for a further four series. The series depicted the investigations and cases handled by the unglamorous enquiry agent Frank Marker, an unmarried loner who is in his early forties when the series begins. In the words of an ABC trailer for the third series: "Marker isn't a glamorous detective and he doesn't get glamorous cases—he doesn't even get glamorous girls. What he does get is people who are in trouble—the sort of trouble you can't go to the police about, even if you are innocent."

A notorious dirty cop makes an honest attempt to catch a serial killer who even murdered his own parents.

Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.

Two high school debaters in the 1980s ride home together on a school bus after a tournament. He's a star who can speak about anything from nuclear weapons to farm subsidies - but can he tell his teammate how badly he wants to touch her?

An inside look at the prestigious Westminster School.

Nicknamed the "school for future criminals," Yuseong Technical High School isn't exactly the ideal place to study. A rarity among his peers, Ga-min is a student with just one goal: to get into university. At a school where it's every man for himself, he is rejected from countless study groups before he decides to form his own. Will he be able to defeat the odds and achieve his dreams?

Cinema Study is a reworking of images and sounds taken from Orson Welles landmark film Citizen Kane. The piece breaks the frame into multiple smaller rectangles, each with short video and audio samples from the original film. Part of the activity of the viewer seems to be the activity of keeping track of the images, which pop around the screen, and how they relate to the sounds. All of the sounds in the piece are in a precise synchronous relationship with the images on the screen. The original narrative film breaks down almost completely, and becomes an almost pure visual and musical experience. Call it Citizen Kane the re-mix.